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Thread: Eartha Kitt, sultry singer and dancer, dies at 81

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    Eartha Kitt, sultry singer and dancer, dies at 81

    Associated Press
    December 25, 2008


    NEW YORK -- A family friend says Eartha Kitt, a sultry singer, dancer and actress who rose from South Carolina cotton fields to become an international symbol of elegance and sensuality, has died. She was 81.

    Andrew Freedman says Kitt died today of colon cancer and was recently treated at Columbia Presbyterian Hospital in New York.

    Kitt a self-proclaimed "sex kitten" famous for her catlike purr, was one of America's most versatile performers, winning two Emmys and getting a third nomination. She also was nominated for two Tony Awards and a Grammy.

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    Eartha Kitt, sultry singer and dancer, dies at 81


    Tony Baltazar, Eartha Kitt and Frankie Baltazar
    New York City, N.Y. 1982

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    Eartha Kitt, sultry singer and dancer, dies at 81


    GERALD HERBERT, Associated Press

    Brad Oscar, dressed as Santa Claus, watching Eartha Kitt perform during the Christmas Pageant of Peace Opening Ceremony on the Ellipse in Washington.

    Associated Press

    NEW YORK -- Eartha Kitt, a sultry singer, dancer and actress who rose from South Carolina cotton fields to become an international symbol of elegance and sensuality, has died, a family spokesman said. She was 81.

    Andrew Freedman said Kitt, who was recently treated at Columbia Presbyterian Hospital, died Thursday of colon cancer.

    Kitt, a self-proclaimed "sex kitten" famous for her catlike purr, was one of America's most versatile performers, winning two Emmys and nabbing a third nomination. She also was nominated for several Tonys and two Grammys.

    Her career spanned six decades, from her start as a dancer with the famed Katherine Dunham troupe to cabarets and acting and singing on stage, in movies and on television. She persevered through an unhappy childhood as a mixed-race daughter of the South and made headlines in the 1960s for denouncing the Vietnam War during a visit to the White House.

    Through the years, Kitt remained a picture of vitality and attracted fans less than half her age even as she neared 80.

    When her book "Rejuvenate," a guide to staying physically fit, was published in 2001, Kitt was featured on the cover in a long, curve-hugging black dress with a figure that some 20-year-old women would envy. Kitt also wrote three autobiographies.

    Once dubbed the "most exciting woman in the world" by Orson Welles, she spent much of her life single, though brief romances with the rich and famous peppered her younger years.

    After becoming a hit singing "Montonous" in the Broadway revue "New Faces of 1952," Kitt appeared in "Mrs. Patterson" in 1954-55. (Some references say she earned a Tony nomination for "Mrs. Patterson," but only winners were publicly announced at that time.) She also made appearances in "Shinbone Alley" and "The Owl and the Pussycat."

    Her first album, "RCA Victor Presents Eartha Kitt," came out in 1954, featuring such songs as "I Want to Be Evil," "C'est Si Bon" and the saucy gold digger's theme song "Santa Baby," which is revived on radio each Christmas.

    The next year, the record company released follow-up album "That Bad Eartha," which featured "Let's Do It," "Smoke Gets in Your Eyes" and "My Heart Belongs to Daddy."

    In 1996, she was nominated for a Grammy in the category of traditional pop vocal performance for her album "Back in Business." She also had been nominated in the children's recording category for the 1969 record "Folk Tales of the Tribes of Africa."

    Kitt also acted in movies, playing the lead female role opposite Nat King Cole in "St. Louis Blues" in 1958 and more recently appearing in "Boomerang" and "Harriet the Spy" in the 1990s.

    On television, she was the sexy Catwoman on the popular "Batman" series in 1967-68, replacing Julie Newmar who originated the role. A guest appearance on an episode of "I Spy" brought Kitt an Emmy nomination in 1966.

    "Generally the whole entertainment business now is bland," she said in a 1996 Associated Press interview. "It depends so much on gadgetry and flash now. You don't have to have talent to be in the business today.

    "I think we had to have something to offer, if you wanted to be recognized as worth paying for."

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